Style: Costume, Illustration
Background: Léon Samoilovitch Bakst was born in Grodno (currently Belarus). He was a Russian Painter and scene- and costume designer. He was a member of the Sergei Diaghilev circle and the Ballets Russes, for which he designed exotic, richly coloured sets and costumes.
Born as Lev (Leib) Samoilovich Rosenberg, he was also known as Leon (Lev) Nikolayevich Bakst
Education: Bakst studied at the St. Petersburg Academy of Arts as a noncredit student, working part-time as a book illustrator.
At the time of his first exhibition (1889) he took the surname of “Bakst,” based on his mother’s maiden name. The surname “Rosenberg” was thought to be too Jewish and not good for business. At the beginning of the 1890s he exhibited his works with the Society of Watercolorists. From 1893 to 1897 he lived in Paris, where he studied at the Academie Julian while still visiting Saint Petersburg often.
Achievements: In 1899, he co-founded with Sergei Diaghilev the influential periodical Mir Iskusstva, meaning “World of Art.” His graphics for this publication brought him fame. In 1898, he showed his works in the Diaghilev-organized First exhibition of Russian and Finnish Artists; in World of Art exhibitions, as well as the Munich Secession, exhibitions of the Union of Russian Artists, etc.
Beginning in 1909, Bakst worked mostly as a stage-designer, designing sets for Greek tragedies, and, in 1908, he made a name for himself as a scene-painter for Diaghilev with the Ballets Russes. He produced scenery for Cleopatra (1909), Scheherazade (1910), Carnaval (1910), Narcisse (1911), Le Spectre de la Rose (1911), and Daphnis et Chloe (1912). During this time, he lived in western Europe because, as a Jew, he did not have the right to live permanently outside the Pale of Settlement.
In 1922, Bakst broke off his relationship with Diaghilev and the Ballets Russes. During this year, he visited Baltimore and, specifically Evergreen House – the residence of his friend and patron, art philanthropist Alice Warder Garrett (1877–1952). Having met in Paris in 1914, when Mrs. Garrett was accompanying her diplomat husband in Europe, Bakst soon depended upon his then new American friend as both a confidante and agent. Alice Garrett became Bakst’s representative in the United States upon her return home in 1920, organizing two exhibitions of the artist’s work at New York’s Knoedler Gallery, as well as subsequent traveling shows. When in Baltimore, Bakst re-designed the dining room of Evergreen into a shocking acidic yellow and ‘Chinese’ red confection. The artist subsequently went on to transform the house’s small c. 1885 gymnasium into a colorfully Modernist private theatre, which is currently believed to be the only extant private theatre designed by Bakst.
Bakst died in 1924 in Paris from lung problems.